![]() ![]() ![]() "The CURVE control at its mid position (default zero) produces a special behaviour, which in many respects may give the best results in most situations. It makes a number of other recommendations to achieve "the best results in most situations." I've found this to generally be the case. Yes, reading the manual for Oxford Inflator was very enlightening. And if you've never used Inflator on individual tracks or submixes, give it a shot! Note: I chose "Mastering" as the flair for this post, but it equally applies to mixing. This approach is worth trying if you are typically more conservative with the Effect level. But adjusting the Input and Curve controls allows you to compensate and keep the Inflator effect from being overkill. You might think that having the Effect control all the way up would affect the sound too dramatically. However, I have found that following this advice usually results in a better sound. "In general the best results are most likely to be obtained by operating the Inflator EFFECT level at maximum, and adjusting the INPUT level and CURVE control to produce the best sonic compromise."īefore I read this, I typically wouldn't set the Effect level at maximum. But the manual says something interesting: As the saying goes, if it sounds good, it is good. ![]()
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